In Conversation: Jena Goldsack on Freediving, Ocean Conservation, and Sustainable Wetsuits

In Conversation: Jena Goldsack on Freediving, Ocean Conservation, and Sustainable Wetsuits

On a clear Sydney morning, we meet British freediver and ocean advocate Jena Goldsack at Little Bay Beach, a quiet cove framed by sandstone cliffs and calm water. 

Raised by the sea in Cornwall, Jena has always felt a deep connection to the ocean. From early memories of spotting dolphins on the horizon to becoming an ambassador for the Cornish Seal Sanctuary, her life has long been shaped by the water.

Today, she channels that passion through freediving, ocean advocacy, and Fulmar, her sustainably led wetsuit brand. In conversation, Jena reflects on the meditative pull of life beneath the surface, the moments that have left her in awe, and why protecting our oceans has never been more important.

Can you tell us a bit about yourself and your connection to the ocean? What fuelled your journey into ocean conservation?

I was born and raised at the back of a beach in Cornwall, UK. One of my first memories of living there was looking out of the living room and seeing dolphins on the horizon. We took school trips and weekend trips to the local Seal sanctuary which rescues & rehabilitates injured seals, then if they can, release them back to the wild. Sometimes a seal will have such a bad injury they will end up being a resident here - there was one seal called Ray that had brain damage from a boat accident who happily lived there for 20+ years until he passed away! When I wanted to get more into charity work, I knew the Cornish Seal Sanctuary would be a great fit for me and I’m still an ambassador for them now. 

What do you love most about freediving?

I had been a scuba diver for years before I started freediving and I didn’t get the appeal, but once I tried, as every Freediver will tell you, you genuinely just feel more free and natural with the water, like you’re meant to be there. Animals aren’t afraid to come near you because you’re not breathing any scary bubbles, and I think it’s amazing what our bodies are capable of, even when we think they aren’t.

 

“YOU GENUINELY JUST FEEL MORE FREE AND NATURAL WITH THE WATER, LIKE YOU’RE MEANT TO BE THERE.”

 

What’s your favourite place in the world to go diving?

I think so far it’s been the Maldives as the water is just so so pristine. My dive friends call me a fair weathered diver and I’m not ashamed of it! I struggle holding my breath in cold water as I can’t relax. I originally learnt in the Cayman Islands and unfortunately I think that has tainted me to warm clear waters forever!

What does being underwater teach you that you can’t learn on land?

Something you don’t really get on land as much is that you can completely switch off, absolutely nothing is going on in my brain apart from being in the moment, it’s like a fine tuned meditation only a few people can seem to achieve on land. The only thing you are thinking about / appreciating is the water, your surroundings and feeling at complete peace. 

 

“THE ONLY THING YOU ARE THINKING ABOUT IS THE WATER, YOUR SURROUNDINGS AND FEELING AT COMPLETE PEACE.”

 

What inspired you to create Fulmar, and how does the brand reflect your values and connection to the ocean?

I’m not going to pretend it has been a life long dream to have a wetsuit line! But it’s been a very natural progression. I suffer from eczema and every dive rental shop wetsuit would make my skin irritated. So I started looking for hypoallergenic wetsuit brands and there are a few great brands that already exist that use limestone neoprene, which is designed to be skin friendly, but I couldn’t find the perfect fit for myself as well as the right thickness (I get cold very easily!). There seemed to be a gap in the UK market for female specific wetsuit brands as the majority are made for men’s bodies, so I ended up creating some samples and it went from there.

I wanted to create in small batches as to not waste any more product than I need - I wanted to keep the colours as earthy or oceany as possible and I aimed for only a few sizes at first to see what would sell best - and we are adding another couple of sizes in the next couple of months after some interest and feedback. We also had some leftover fabric from our blue steamer suit so we turned that into headbands so nothing would go to waste. 

Has there been a moment in the ocean that truly left you in awe?

Two moments! One was after we had been diving with tiger sharks in the Maldives, we went out into deeper water and ended up around a pop of 1-2 thousand Mellon headed whales and dolphins - they were quite timid at first but we ended up spending hours swimming with them and the way they look you in the eye as if to say ‘wha are you doing here human?’.

The second time was recently in French Polynesia, it was a tough day on the water as it was so rough and I haven’t had sea sickness since I was a child but I quickly lifted my head out of the water to try and throw up, and when I put my head back under, a humpback whale was about a meter away from me! I watched this thing come at me like a giant submarine and then turn away last minute, and again, when it’s eye catches yours you are truly in awe of the sheer size and elegance of this being.

If you could leave people with one powerful message to inspire greater care and protection for our oceans, what would it be?

I take a lot of inspiration from Sylvia Earle, one of my favourite ocean women - the world’s first female aquanaut! And who Fulmar’s steamer suit is named after - and something powerful she has said before is ‘No water, no life. No blue, no green’ - I think we can all appreciate that these are very calming colours and take you to a place of ease even when just thinking about them, so why wouldn’t you want these to exist? 

 

“NO WATER, NO LIFE. NO BLUE, NO GREEN.”

 

What’s on the horizon for you? Are there any projects or collaborations you’re especially excited about?

Something I’m excited about for fulmar is that we have a new surf vest coming out in the next two months! This will be made from Yulex, a natural rubber, so it’s the most sustainable form of wetsuit we can offer. We are adding this in more sizes, and it’s a beautiful orange colour so I have named the colour Bondi Sunset, as I showed it first at our Sydney launch during the most beautiful of end summer sunset.

受到推崇的

Amrita Hepi: In Rhythm with ONDINE
People

阿姆里塔·赫皮:與奧丁的節奏

阿姆里塔·赫皮的作品有著獨特的沉穩氣質。身為擁有澳洲邦加隆族和紐西蘭納普希族血統的編舞家和舞者,她的藝術實踐橫跨舞蹈、表演、影像和裝置藝術。她的作品常在私密與宏大之間遊走,探索身體作為記憶、認同和文化敘事載體的角色。 正是這種兼具理性嚴謹與自然優雅的特質,讓阿姆麗塔成為我們 ONDINE 系列廣告宣傳活動的完美繆思。在新西蘭西海岸原始自然的映襯下,阿姆麗塔將 ONDINE 的雕塑感造型轉化為鮮活的動感,並以冥想般的身體掃描為整個廣告宣傳活動定下基調,邀請我們駐足片刻,靜靜感受。 《ONDINE》探索了儀式與韻律、我們與自然世界的關係以及超越性等主題。正是懷著這些想法,我們在阿姆里塔繁忙的行程中——她奔波於各大洲之間,忙於各種合作項目,並且創作不斷——與她坐下來,探討了她的創作實踐、她與儀式的關係以及自然界的原始力量。 你好,阿姆里塔,你能先跟我們談談你的創作實踐以及你與動作和編舞的淵源嗎? 我是一名從事編舞和表演的藝術家,主要從事現場表演。我與這方面的淵源由來已久,並且一直在不斷變化和發展。 在 ONDINE 計畫中,我們一直在思考的一個問題是儀式感。在你的生活中,有哪些實踐讓你感覺像是一種儀式,無論是透過身體、呼吸,或是你準備行動或創作的方式? 我的習慣往往很瑣碎,例如在新地方找到水源,壓力大的時候整理衣櫃或丟掉一些東西,每天早上在新地方吃同樣的食物(形成一種小小的習慣)。至於準備搬家或創作,我不知道這算不算一種儀式,但我必須讓自己進入一種狀態,在這種狀態下,我會欺騙自己說:“我只是在做筆記,我只是在移動來感受事物,這只是幾個簡單的詞語、動作、草圖”,這樣才能讓我從眾多選擇和親密感中開始,而不會營造出一種令人窒息的氛圍。這既是一種專注的狀態,一開始看起來也可能像是在猶豫不決或心不在焉。神奇的是,我經常重複這種專注/分心的狀態,所以也許它現在已經成為一種儀式了。 “我只是在做筆記,我只是在四處走走,感受一下情況。” [特色圖片] 在日常生活中,你如何創造安靜或專注的時刻? 付出巨大的努力,反覆練習,但不要試圖做得太多。 大自然如何影響你的創造力或自我認知? 透過給予它應有的關注和尊重。透過努力不將自己投射到它的每一個部分。透過明白在我與它之間存在著Vā(神聖的、連結人、自然和精神的關係空間)。 [featured_images1] 拍攝宣傳片和穿著該系列服裝的哪些方面引起了你的共鳴?它們與你的運動感和風格有何關聯? 身處我的家鄉之一——紐西蘭,在拍攝開始前參加了卡拉基亞(毛利傳統祈禱儀式,旨在祈求神靈指引和庇佑),當然,我非常喜歡我戴的那對耳環。它們感覺即使我活動量很大,也不會輕易滑落。我一直覺得舞者們都很有型,而我自己的風格則是慵懶中帶著一絲優雅(或者說是輕快自在),所以我喜歡那種可以一直陪伴著我的首飾,那種我可以忘記它的存在,直到第二天早上戴上它,讓我心情愉悅的首飾。那種不會黏在頭髮上的,我可以戴著它游泳、跑步,它就像我的身體一樣,跟我形影不離。 “我喜歡那種可以一直陪伴著我的首飾,我可以把它放在身邊,直到早上戴上它,它都會讓我微笑。” [featured_images2] 該系列作品中哪一件最能引起你的共鳴?為什麼? 所有的耳環。每一對。 這次宣傳影片的拍攝地點位於紐西蘭西岸,那裡蘊藏著豐富的自然能量,也與你的文化傳承息息相關。在那樣的環境中拍攝,是如何影響你對動作和創作的體驗的? 在那裡拍攝時,我充滿了敬畏之心。我一直在思考塔尼瓦(Taniwha)和韋努阿(Whenua)。我非常高興能和當地的化妝師雷(Rae)以及在Sarah & Sebastian工作的馬特(Matt)一起拍攝,他們兩位都了解韋努阿人(Tangata Whenua)的複雜性。 你希望其他人在體驗你的舞蹈或欣賞你的作品後會有什麼樣的感受? 每件作品都截然不同,我無意向觀眾灌輸某種希望。但我致力於表達理念、體驗、嚴謹性和動態感。我希望永遠不會有人說:“阿姆里塔的作品看起來都一樣,所以我才來這裡。” [featured_images3] 展望未來,是否有任何新的作品、演出或合作計畫? 很多。不過最近幾個月我過得充實而愉快,創作了一部名為《The Act》的新作品,獻給Rising藝術節;和妹妹一起在Passage劇院排演新劇;還在阿維尼翁戲劇節開始了《Rinse》的歐洲巡演。我現在最期待的就是睡覺和游泳。另外,如果Sophie Calle或Michelle de Kretser看到了這篇文章,我們一起喝一杯,聊聊合作吧。我請客!

閱讀期刊
In Conversation: Matt Lennon on Style, Design, and the Details That Matter
People

對話:馬特·列儂談風格、設計及細節

馬特·倫農在對待時尚的態度上展現出一種沉穩的自信。身為 SARAH & SEBASTIAN 的全球品牌負責人,他每天的工作涵蓋策劃行銷活動、完善品牌策略以及參與我們的慈善專案 Xanthe Project,但他對細節的敏銳洞察力和對設計的熱愛才是他工作的真正基石。 在為我們的男裝系列拍攝宣傳片時,他選擇了澳洲國家美術館作為背景,並被其引人注目的粗野主義建築風格以及它與館內藝術品所營造的對話氛圍所深深吸引。在這裡,馬特回顧了塑造他美學理念的各種影響,從安藤忠雄的混凝土造型到自然界變幻莫測的色彩,並思考了珠寶如何在不斷演變的現代男性氣質語言中佔據一席之地。 請您簡單介紹一下您在 SARAH & SEBASTIAN 的工作內容。 我每天的工作內容包羅萬象,從藝術指導和活動創意構思到品牌策略和傳播規劃,無所不包。我很幸運能與優秀的團隊共事,探索新的想法,並為我們的品牌打造一個與我自身理念高度契合的創意方向。此外,我還與創意總監Sarah和慈善事業負責人Phoebe緊密合作,共同推動Xanthe計畫。該計畫旨在支持海洋保護,而我本人也對這項事業充滿熱情。 [特色圖片] Matt 戴著Lock 手鐲、 牽引戒指和牽引印章戒指。 澳洲國家美術館被選為拍攝地點,你覺得這個空間與 SARAH & SEBASTIAN 男裝系列之間有什麼關聯? 我一直對澳洲國家美術館(NGA)情有獨鍾;它是一座非凡的建築,我特別喜歡它粗獷的建築風格與館藏藝術品之間的巧妙融合。我曾多次在那裡度過下午時光,甚至經常從雪梨專程前往觀看新展覽。我認為這棟建築的特質與我們的男士收藏之間存在著某種相似之處:美術館的外觀結構散發著一種陽剛之氣,但一旦步入其中,你便會發現其中蘊含的細膩、親密以及獨樹一幟的策展理念。我們的許多收藏也體現了這一點……你越是仔細觀察,就越能發現其中蘊藏的豐富細節和精妙之處。 “看得越仔細,發現的細節和精妙之處就越多。” 粗野主義建築風格如何與你的個人美學產生共鳴? 我一直對粗野主義情有獨鍾。自從十多年前第一次去日本之後,設計師安藤忠雄就一直是我的偶像。他將粗野主義冷峻的幾何美感與日式設計的溫暖內斂完美融合。我人生中最令人動容的體驗之一,就是在安藤忠雄設計的地中美術館莫內展覽廳。畫作被裱框在現代風格的畫框中,沐浴在自然光下。在如此現代簡約的環境中欣賞大師傑作,感覺非同凡響,這幾乎是我為數不多的幾次在藝術面前瀟淚下的經歷。 “在如此現代簡約的環境中欣賞藝術大師的傑作,真是一件非同尋常的事情。” [featured_images1] Matt 戴著Chase 印章戒指、 Lock 手鐲和Valentine 手鍊。 說到男士首飾,你喜歡疊戴還是單獨配戴?你是如何決定的? 如果一件飾品比較醒目,我喜歡留出足夠的空間讓它自由呼吸;但對於比較精緻的飾品,例如纖細的項鍊,疊戴可以增加層次感和趣味性。關鍵在於如何在保持平衡的同時,又不失每件飾品的獨特個性。 “關鍵在於創造平衡,同時又不失每件作品的獨特性。” 男裝系列中,你最喜歡哪些單品?為什麼? 我每天都戴著我的鎖形手鐲,這是我開始與 SARAH & SEBASTIAN 合作時購買的第一件飾品,我想我從那時起就沒摘下來過。 Matt 戴著Lock 手鐲、 牽引戒指和牽引印章戒指。 比例、質地和表面處理在你的珠寶造型中扮演什麼角色? 我認為比例至關重要,它決定了單品與你整體服裝的搭配效果。質感賦予其深度,而表面處理則決定了整體氛圍。霧面質感給人低調而建築感,而高光澤則更顯經典精緻。巧妙運用這些元素,才能讓造型搭配始終充滿趣味。 “我認為比例至關重要,它決定了一件單品與你所穿服裝的搭配效果。” [featured_images2] Matt 戴了Bold Scale 戒指、 Promise 手鍊和Khaki Lock Cord 手鍊。 目前哪些因素——無論是藝術、設計還是時尚——正在影響你的創作方式? 我不斷從藝術、音樂、電影和建築中汲取靈感,但大自然始終是我最大的靈感來源。貝殼的結構、日落變幻的色彩,那些圖案、色調和形態,似乎總能以某種方式融入我的創作思維。 “大自然始終是我最大的靈感來源” 你在 SARAH & SEBASTIAN 的工作如何影響你的個人風格,反之亦然? 加入這個品牌後,我對珠寶的鑑賞力大大提升……這也在情理之中!我一直熱愛時尚,但與我們的珠寶匠人密切合作,親眼見證其中的精湛工藝,讓我對設計細節的欣賞更上一層樓。能夠參與打造那些見證人們人生重要時刻的珠寶,也讓我感到格外特別。 Matt 戴著Chase Signet 戒指、 Traction 戒指和Pearl Piston 手鐲。 您認為珠寶在圍繞現代男性氣質的不斷演變的討論中扮演著怎樣的角色? 我認為男性越來越傾向於將珠寶視為自我表達的延伸,而非身份的象徵。他們不再拘泥於某種固定的「男子氣概」標準,而是更注重佩戴那些能展現真我個性的飾品,無論是醒目的誇張項鍊,還是精緻低調的個人風格。 您認為未來幾年珠寶在男士日常穿搭中的作用會發生怎樣的變化? 我認為它正朝著一種輕鬆自在的方向發展,男士佩戴項鍊或手鐲的方式可能就像選擇手錶一樣自然。它將不再是特殊場合的專屬配件,而是日常生活的一部分,融入我們每日的自我呈現之中。 “我認為比例至關重要,它決定了一件單品與你所穿服裝的搭配效果。” [featured_images3] Matt 戴著Chase Signet 戒指、 Traction 戒指和Pearl Piston 手鐲。 如果接下來一年你只能戴一條項鍊,你會選擇哪一條? 很難只選一個,但我認為這款大膽的情人節項鍊非常特別。我一直很喜歡航海風格的鏈節和略帶分量的款式。我覺得它既可以輕鬆融入日常穿搭,也能在需要的時候搭配正裝或疊戴。 除了珠寶首飾之外,你每天穿著或攜帶的物品中,還有哪些能夠反映你個性的? 手機裡存著我家貓咪Aki的照片。它超級可愛。

閱讀期刊